Journalism, culture and the trustee/ transmission model
Thanks for sharing Joli Jensen's book review of Herbert Gans book Democracy and the News. Jolie wrote a very insightful book chapter on John Dewey (“Art, the Public, and Deweyan Cultural Criticism,” in American Pragmatism and Communication Research, David K. Perry, editor, Longman’s, 2000). Perhaps she would consider working with us sometime in the future.
Her insight that news is more an expression of culture than a transmission of information is another good one. I think she too narrowly construes the transmission model. (It's been a while since I read Gans' book, so he may be guilty of the same narrowness.) The transmission model can subsume a cultural cast as well as an information cast: A set of elites -- sources, officials, journalists -- acting as trustees transmit information, cultural knowledge, norms, etc. through media channels, including news media. That's why contentious debate over media bias persists -- it is not so much over what information is transmitted, but which cultural norms and stories and templates are privileged. (I prefer the compound "trustee/transmission model," pulling from Michael Schudson's work.)
John Storey, professor and director of the Center for Research in Media and Cultural Studies at the University of Sunderland, offers this definition of culture in Inventing Popular Culture (Oxford: Blackwell, 2003, pages ix-x):
Storey says further that cultures are not “harmonious, organic wholes” but “shared and conflicting networks of meanings,” “arenas in which different ways of articulating the world come into conflict and alliance.” That sounds a lot like the world of news. Storey’s definition of culture can be adapted, slightly, to describe journalism and news:
Storey notes that culture comes into being through both cultural production and consumption. Consumption becomes production in that what we consume helps produce our culture and our identity. Borrowing from Antonio Gramsci, Storey argues that culture is produced through a never-ending negotiation between elites who control much of the means of production (issues of “structure”) and ordinary people who produce and who decide what to consume and what to make of what they consume (issues of “agency”).
Three topics journalists and cultural-studies scholars could discuss: Should we enlarge journalism’s definition to include news consumption as well as news production? Should we privilege journalism as superior to other forms of meaning-making (and, if so, why)? How does journalism as either a professional practice or academic discipline account for issues of structure and agency in news production and consumption?
So your what-if model speaks to journalism as culture, journalism as production by citizens as well as consumption by citizens and therefore journalism as social practice, not just professional practice.
So what if we tried your approach beginning July 31?
Her insight that news is more an expression of culture than a transmission of information is another good one. I think she too narrowly construes the transmission model. (It's been a while since I read Gans' book, so he may be guilty of the same narrowness.) The transmission model can subsume a cultural cast as well as an information cast: A set of elites -- sources, officials, journalists -- acting as trustees transmit information, cultural knowledge, norms, etc. through media channels, including news media. That's why contentious debate over media bias persists -- it is not so much over what information is transmitted, but which cultural norms and stories and templates are privileged. (I prefer the compound "trustee/transmission model," pulling from Michael Schudson's work.)
John Storey, professor and director of the Center for Research in Media and Cultural Studies at the University of Sunderland, offers this definition of culture in Inventing Popular Culture (Oxford: Blackwell, 2003, pages ix-x):
Culture is an active process. … It is the practice of making and communicating meanings. Culture is not in the object but in the experience of the object: how we make it meaningful, what we do with it, how we value it, etc. “Culture is ordinary” (Williams, 1958a): it is how we make sense of ourselves and the world around us; it is the practice through which we share and contest meanings of ourselves, of each other, and of the world. … To share a culture is to interpret the world – to make it meaningful – in recognizably similar ways.
Storey says further that cultures are not “harmonious, organic wholes” but “shared and conflicting networks of meanings,” “arenas in which different ways of articulating the world come into conflict and alliance.” That sounds a lot like the world of news. Storey’s definition of culture can be adapted, slightly, to describe journalism and news:
Journalism is an active process. It is the practice of making and communicating meanings about recent occurrences and events. News exists not in the occurrence or event but in how we experience it: how we make it meaningful, what we might do about it, how we value it, etc. While we talk about news as being about the extraordinary, journalism – encompassing both news production and consumption – is ordinary in that it is one way we routinely make sense of ourselves and the world around us; it is a practice through which we share and contest meanings of ourselves, of each other, and of the world. To share news is to engage each other in interpreting the world – in making it meaningful – in recognizably similar ways.
Storey notes that culture comes into being through both cultural production and consumption. Consumption becomes production in that what we consume helps produce our culture and our identity. Borrowing from Antonio Gramsci, Storey argues that culture is produced through a never-ending negotiation between elites who control much of the means of production (issues of “structure”) and ordinary people who produce and who decide what to consume and what to make of what they consume (issues of “agency”).
Three topics journalists and cultural-studies scholars could discuss: Should we enlarge journalism’s definition to include news consumption as well as news production? Should we privilege journalism as superior to other forms of meaning-making (and, if so, why)? How does journalism as either a professional practice or academic discipline account for issues of structure and agency in news production and consumption?
So your what-if model speaks to journalism as culture, journalism as production by citizens as well as consumption by citizens and therefore journalism as social practice, not just professional practice.
So what if we tried your approach beginning July 31?
